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TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
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TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
THE MUSEUM OF MODERN ART
THE MUSEUM OF MODERN ART

TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980

ARCHITECTURE
Šifra artikla: 325282
Isbn: 9781633450516
Izdavač : THE MUSEUM OF MODERN ART
Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture. Squeezed between the two rival Cold War ...  Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture.

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the ‘Third Way’, local architects produced a veritable ‘parallel universe’ of modern architecture during the forty-five years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now. Detaljnije
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Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture.

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the ‘Third Way’, local architects produced a veritable ‘parallel universe’ of modern architecture during the forty-five years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
        Trenutno nema komentara
        Karakteristika Vrednost
        Kategorija ARCHITECTURE
        Autor Tamara Bjazic Klarin,Vladimir Deskov
        Težina specifikacija 0.5 kg
        Izdavač THE MUSEUM OF MODERN ART
        Pismo Latinica
        Povez Tvrd
        Godina2018
        Format24,5x31
        Strana228

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