TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980 TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980 TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980 TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980
THE MUSEUM OF MODERN ART

TOWARD A CONCRETE UTOPIA: ARCHITECTURE IN YUGOSLAVIA 1948-1980

Šifra artikla: 325282
Isbn: 9781633450516
Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture.

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the ‘Third Way’, local architects produced a veritable ‘parallel universe’ of modern architecture during the forty-five years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
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Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture.

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the ‘Third Way’, local architects produced a veritable ‘parallel universe’ of modern architecture during the forty-five years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.

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Karakteristika Vrednost
Kategorija ARCHITECTURE
Autor Tamara Bjazic Klarin,Vladimir Deskov
Težina specifikacija 0.5 kg
Izdavač THE MUSEUM OF MODERN ART
Pismo Latinica
Povez Tvrd
Godina2018
Format24,5x31
Strana228

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