FICTION

The city of Vukovar, situated on Croatia's easternmost periphery, across the Danube River from Serbia, was the site of some of the worst violence in the wars that rocked ex-Yugoslavia in the early '90s. It is referred to only as "the city" throughout this taut political thriller from one of Europe's most celebrated young writers. In this city without a name, fences in schoolyards separate the children of Serbs from those of Croats, and city leaders still fight to free themselves from violent crimes they committed or permitted during the war a generation ago. Now, it is left to a new generation the children, now grown up, to extricate themselves from this tragic place, innocents who are nonetheless connected in different ways to the crimes of the past.
Nora is a journalist assigned to do a puff piece on the perpetrator of a crime of passion a Croatian high school teacher who fell in love with one of her students, a Serb, and is now in prison for having murdered her husband. But Nora herself is the daughter of a man who was murdered years earlier under mysterious circumstances.

A group of entrepreneurs brings roaring back to life a defunct turbine factory and the town around it, promising a return to the days of dignity, jobs and the good life and bright future that a manufacturing centre can dispense to a small town. But is a return to the days of plenty possible? And what of the changed relationships between lovers, and within families, that have transpired in the years since that earlier time?

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.

Brand-new stories by: Oto Oltvanji, Misha Glenny, Kati Hiekkapelto, Vesna Goldsworthy, Mirjana Đurđevic, Vladan Matijevic, Muharem Bazdulj, Vladimir Arsenijevic, Dejan Stojiljkovic, Miljenko Jergovic, Aleksandar Gatalica, Vule Zuric, Verica Vincent Cole, and Goran Skrobonja.

From the introduction by Milorad Ivanovic

Belgrade, meaning "White City," is located in Southeast Europe at the confluence of the Sava and Danube rivers...Alfred Hitchcock once said that certain creepy parts of Belgrade unnerved him and would be ideal settings for thrillers. Thieves, traitors, spies, corrupt doctors, psychiatric patients, former policemen, mafia clans--they all appear in the pages of this book.

Even in the worst periods of its history, Belgrade was always a multicultural, multireligious, and multinational city. This anthology illustrates that. Alongside our Serbian authors, there are stories written by Croatian, Bosnian, British, and Finnish writers. The same is true for our great team of translators, which includes Americans, Serbians, Bosnians, and an Albanian...

The most powerful autobiographical novel written about the Balkan war.
HOTEL TITO is an award-winning autobiographical novel of the Serbo-Croatian War. Author Ivana Bodrozic was born in the Croatian town of Vukovar, just across the Danube from Serbia. In the fall of 1991, Vukovar was besieged by the Yugoslav People's Army for eighty-seven days. When the army broke the siege, people came up out of the basements where they'd been sheltering from bombardment; women and children were allowed out of the besieged city, but the army bused 400 men from the hospital to a farm on the outskirts where soldiers and Serbian paramilitaries massacred them. Bodro ic's father was among those taken and murdered.

In HOTEL TITO, after fleeing the war zone their town has become, the mother and two children are housed along with other displaced persons at a former communist school in the village of Kumrovec (the birthplace of Josip Tito). For years they share a single room just large enough for their three beds, waiting to hear whether the narrator's father survived and when they'll be granted an apartment of their own. In the meantime life goes on for the teenage protagonist, first loves bloom and burn quickly, new friendships are acquired and lost, new truths emerge, and new emotions. But she never loses her shy, insightful voice, nor her self-deprecating sense of humor. HOTEL TITO is a sensitive and forthright coming of age novel in a time of atrocity and loss.