FICTION

Crime and Punishment is one of the greatest and most readable novels ever written.
From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world’s harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

Poverty-stricken and cut off from society, former law student Rodion Romanovich Raskolnikov leads a desolate life in a dreary little room in St Petersburg. Having abandoned all hopes of sustaining himself through work, he now obsesses over the idea of changing his fortunes through an act of extreme violence: the killing of an elderly pawnbroker. His mind baulks at the horror of his plan, but when he hears that his sister Dunya is about to agree to a loveless marriage in order to escape the advances of her employer, his disgust for the world becomes unbounded, and his feelings of rebellion and revenge push him closer and closer to the edge of the precipice.

The unnamed narrator of the novel, a former government official, has decided to retire from the world and lead a life of inactivity and contemplation. His fiercely bitter, cynical and witty monologue ranges from general observations and philosophical musings to memorable scenes from his own life, including his obsessive plans to exact revenge on an officer who has shown him disrespect and a dramatic encounter with a prostitute.

Inspired by Dostoevsky’s own gambling addiction and written under pressure in order to pay off his creditors and retain his rights to his literary legacy, The Gambler is set in the casino of the fictional German spa town of Roulettenburg and follows the misfortunes of the young tutor Alexei Ivanovich. As he succumbs to the temptations of the roulette table, he finds himself engaged in a battle of wills with Polina, the woman he unrequitedly loves. With an unforgettable cast of fellow gamblers and figures from European high society, this darkly comic novel of greed and self-destruction reveals Dostoevsky at his satirical and psychological best.

With an Introduction and Notes by David Rampton, Department of English, University of Ottowa. Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky’s short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour.

Translated by Constance Garnett.

In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time.