FICTION

A beautiful deluxe gift edition of the beloved classic of girlhood with foiled covers, marbled endpapers, sprayed edges, beautiful paper and finished with a silk ribbon.

Mr Jones, the owner of Manor Farm, is a lazy drunk. The animals decide to overthrow him in a revolution that will allow them to run the farm, liberating themselves and creating a new life of equality and freedom. But they have underestimated the pigs. Napoleon and Snowball form an elite and take control for themselves, and the tyranny of the farmer is replaced with another kind of control leaving the animals again subject to a ruthless and cruel authority.

The year is 1984. War and revolution have created an unrecognisable world. Great Britain, now known as Airstrip One, is ruled by the Party, led by Big Brother. Mass surveillance is total and The Thought Police ensure no individual thinking is allowed.

Winston Smith works at The Ministry of Truth, carefully rewriting history. But Winston dreams of freedom, and of rebellion. It is here that he falls in love with Julia, and starts a secret, forbidden affair with her - but in this world nothing can be kept secret, and they are forced to face consequences more terrifying than either of them could have ever imagined.

The animals at Manor Farm have had enough of Farmer Jones – he’s drunk, reckless and cares little for their welfare. When the boar, Old Major, shares his revolutionary plans, the animals are convinced they can thrive on their own once the despot Jones is overthrown. But as the pigs vie for power, they begin to bear an uncanny resemblance to the tyrants they have overthrown…

George Orwell’s renowned fable became an instant success on publication after the Second World War. The novel has continued to captivate readers of all ages, and has secured Orwell’s position as one of the great writers of the twentieth century.

Under the feckless husbandry of Mr Jones, the Manor Farm has fallen into disrepair. Pushed into hardship, the animals decide to stage a revolt, and, led by two young pigs, Snowball and Napoleon, they overthrow Mr Jones and drive him away from the farm. In the subsequent struggle for power, it is Napoleon who emerges as a victor: he renames the place "Animal Farm", gets rid of his enemies and, by the way he behaves - expecting to be glorifi ed above the others and turning the screw on his fellow beasts in order to keep them subjugated - begins to resemble more and more the former rulers of the farm, the hated humans.

Ravaged by years of war and civil conflict, Britain has changed its name to Airstrip One and become part of Oceania - one of the three totalitarian blocks dominating the world - ruled by a mysterious leader called Big Brother who keeps the population in thrall through strict surveillance and brutal police repression. In a society where the individual is suppressed and turned into an "unperson" for not conforming, and where not only personal thought, but also historical record and language itself are constantly being manipulated by the ruling regime, Ministry of Truth worker Winston Smith tries to make sense of the rebellious thoughts and passions that are stirring inside him, and finds himself impotent against the inexorable machine that surrounds him and threatens to crush him at any time.

The animals at Manor Farm have had enough of Farmer Jones - he's drunk, reckless and cares little for their welfare. When the boar, Old Major, shares his revolutionary plans, the animals are convinced they can thrive on their own once the despot Jones is overthrown. But as the pigs vie for power, they begin to bear an uncanny resemblance to the tyrants they have overthrown...

The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary - as Winston does - is punishable by death. In Winston's battle to keep his freedom of thought, he has a powerful adversary in O'Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101.

edition also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English Language; Why I Write; Politics Vs Literature; Sir Walter Raleigh; The Three Super-States of the Future; Persecution of Writers in USSR; Literature and Totalitarianism; Imaginary Interview: George Orwell and Jonathan Swift

In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain's ally in the war against Nazi Germany, and criticism of Stalin's brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a "disgusting murderer" and he wanted to remind people of this fact in a powerful and memorable way.

Orwell hit on the inspired idea of combining the moralism of the traditional 'beast fable' with the satire of Gulliver's Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old.

Our edition also includes the following essays: Shooting an Elephant; Charles Dickens; Inside the Whale; The Frontiers of Art and Propaganda; Literature and Totalitarianism; Fascism and Democracy; Patriots and Revolutionaries; Catastrophic Gradualism; Some Thoughts on the Common Toad; Why I Write; Writers and Leviathan