FICTION

Six friends traverse the uneven road of life together in Virginia Woolf’s most unconventional classic. Bernard, Jinny, Louis, Neville, Rhoda and Susan first meet as children by the sea, and their lives are forever changed.

A poetic novel written in a lyrical way only Woolf could master, these narrators face both triumph and tragedy that touches them all. Throughout their lives, they examine the relationship between past and present, and the meaning of life itself.

Every summer, the Ramsays visit their summer home on the beautiful Isle of Skye, surrounded by the excitement and chatter of family and friends, mirroring Virginia Woolf’s own joyful holidays of her youth. But as time passes, and in its wake the First World War, the transience of life becomes ever more apparent through the vignette of the thoughts and observations of the novel’s disparate cast.

Clarissa Dalloway is a woman of high-society – vivacious, hospitable and sociable on the surface, yet underneath troubled and dissatisfied with her life in post-war Britain. This disillusionment is an emotion that bubbles under the surface of all of Woolf’s characters in Mrs Dalloway.

Centred around one day in June where Clarissa is preparing for and holding a party, her interior monologue mingles with those of the other central characters in a stream of consciousness, entwining, yet never actually overriding the pervading sense of isolation that haunts each person.

Written for her lover Vita Sackville-West, ‘Orlando’ is Woolf’s playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando’s adventures in love – from being a lord in the Elizabethan court to a lady in 1920s London.

First published in 1928, this tale of unrivalled imagination and wit quickly became the most famous work of women’s fiction. Sexuality, destiny, independence and desire – all come to the fore in this highly influential novel that heralded a new era in women’s writing.

Based on a lecture given at Cambridge and first published in 1929, 'A Room of One's Own' interweaves Woolf's personal experience as a female writer with themes ranging from Austen and Bronte to Shakespeare's gifted (and imaginary) sister. 'Three Guineas', Woolf's most impassioned polemic, came almost a decade later and broke new ground by challenging the very notions of war and masculinity.

Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.

As Mrs Dalloway works on the preparations for a dinner party, her thoughts throughout the day wander from memories of the past to interrogations about the present and lead her to assess the choices she has made in life and love. Her monologue interweaves with the account of the distress, on that same day, of the shell-shocked veteran Septimus Warren Smith, whose trauma and hallucinations end in tragedy, as the links between the two characters unfold.

To the Lighthouse is the most autobiographical of Virginia Woolf's novels. It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning the Great War.

The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.

A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society.

The essay lays bare the woman artist s struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century.

When Mrs Ramsay tells her guests at her summer house on the Isle of Skye that they will be able to visit the nearby lighthouse the following day, little does she know that this trip will only be completed ten years later by her husband, and that a gulf of war, grief and loss will have opened in the meantime. As each character tries to readjust their memories and emotions with the shifts of time and reality, this long-delayed excursion will also prove to be a journey of self-discovery and fulfilment for them. Rich in symbolism, daring in style, elegiac in tone and encapsulating Virginia Woolf s ideas on life, art and human relationships, To the Lighthouse is a landmark of twentieth-century literature and one of the high points of early Modernism.

Through a series of connected monologues, The Waves tells the story of six very different friends - Bernard, Louis, Neville, Jinny, Susan and Rhoda - as they progress from childhood to middle age. Interspersed with evocative descriptions of the seaside at different times of day, the poignant personal histories coalesce into a poetic tapestry of human experience. A commercial and critical success when it was first published in 1931, and now considered by some to be Virginia Woolf's most ambitious novel, showcasing her Modernist narrative techniques at their finest, The Waves casts a visionary and lyrical light on everyday life.

Clarissa Dalloway is civilised--without the ostentation of a socialite, but with enough distinction to attract them to her parties. She finds excess offensive, but surrounds herself with the highest quality and has an abhorrence for anything ugly or awkward. Mrs. Dalloway is as much a character study as it is a commentary on the ills and benefits society gleans from class. Through Virginia Woolf, we spend a day with Clarissa as she interacts with servants, her children, her husband, and even an ex-lover. As she plans and executes one of her celebrated parties, she reveals inner machinations incongruous with her class-defined behaviors, that ultimately enable her to transcend them.