CALATRAVA Complete Works 1979–Today, 45

This epic photographic project – spanning 153 hotels across 31 countries – chronicles the architecture of hospitality and leisure in Eastern Europe and the post-Soviet space. Many were built in imposing styles: brutalist and modernist structures emphasising scale, functionality and the power of the state. Quirkier constructions used mosaics, tiles and stained glass as cultural references, to reflect the traditions of individual countries. Collected here for the first time are an amazing range of examples, from the grand Socialist Realism and neoclassical details of the Stalinist era (such as the Interhotel, Georgia) and the Soviet Modernism that marked a shift away from excess towards austere, concrete structures (Hotel Traian, Romania) to the futuristic and gravity defying (Sevan Writers’ House, Armenia).

To travel through Italy is as close as one gets to being in paradise. For centuries, writers, artists, architects, and merchants have been drawn here, inspired by the beauty of Venice, Florence, Naples, and Rome.
Here, some of Italy’s most amazing landscapes and diverse regions are honored, like Tuscany, Umbria, the Amalfi Coast, and, no less magical, the Aeolian Islands off the coast of Sicily.
In these mythical surroundings are legendary hotels full of atmosphere, where novels are set, movies are made, weddings are celebrated, and famous love stories consummated: Villa d’Este on Lake Como, the Pellicano Hotel in Porto Ercole, the Il San Pietro on the Amalfi Coast, and the Palazzo Margherita in Basilicata—to name just a few.

Learning to sketch can be intimidating, especially when drawing subjects like architecture that seem to rely on perfect perspective, straight lines, and complex forms.

The Pocket Universal Principles of Architecture distills the vast world of design into 100 foundational and visionary concepts that reveal the power, challenges, and transformative role of architecture.
Discover concepts that span the spectrum of architectural possibility, including:

Figurative Archetypes – Timeless forms that shape design.
Parasitic Architecture – Bold structures that adapt and evolve.
Biomimicry – Designs that draw from nature’s genius.
Inclusive Design – Spaces that embrace every body and identity.
AI Cities – Technology-driven urban futures.
Queer Cartographies – Mapping diverse, fluid landscapes.
Intergalactic Architecture – Visionary ideas for cosmic habitats.

Hailing from Vienna, Rudolph Michael Schindler (1887–1953) emigrated to Chicago in 1914, like his lifelong friend and rival Richard Neutra. Eventually hired by Frank Lloyd Wright to work in Los Angeles, Schindler took cues from notions found in Cubism and the International Style to shape his unique vision: a style he called “space architecture,” combining geometrical shapes, bold lines, and materials such as wood and concrete, with space as a medium in its own right, one to be controlled just like color or mass.
Discover such key projects as the Wolfe House, nestled in a steep hillside; the tree house-like Falk Apartment Building; the Lovell Beach House, recognized as one of the foremost examples of the Modernist canon in America; the Schindler/Chace House, Schindler’s most crucial work

As humanity faces inevitable pressures such as climate change, an increase in population, and strain on resources, these solutions are helping shape what the world may look like in the future.Whether in the dense urban areas of Tokyo, the wilderness of Australia, the woods of Canada, or a rooftop in Ecuador, this is the world of Small Houses. The one common point they share, is that they all have an area of no more than 100 square meters. Spanning 25 countries such as Brazil, Hungary, South Korea, Netherlands, USA, Japan, and Australia, described here there are houses designed by 54 architects.

The Iconic House features over 100 of the most important and influential houses designed and built since 1900. International in scope and wide-ranging in style, the houses share a remarkable sensitivity to site and context, an appreciation of local materials and building traditions, and a careful understanding of clients’ needs.

Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings.

The Brutalist aesthetic is enjoying a renaissance - and this book documents Brutalism as never before. In the most wide-ranging investigation ever undertaken into one of architecture's most powerful movements, more than 850 Brutalist buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions.

A building by Frank Lloyd Wright (1867–1959) is at once unmistakably individual and evocative of an entire era. Notable for their exceptional harmony with their environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright’s designs helped announce the age of modernity, as much as they secured his place in the annals of architectural genius.

Cabins combines insightful text, rich photography, and bright, contemporary illustrations by Marie-Laure Cruschi to show how this particular architectural type presents special opportunities for creative thinking. In eschewing excess, the cabin limits actual spatial intrusion to the bare essentials of living requirements, while in responding to its typically rustic setting, it foregrounds eco-friendly solutions. The cabin comes to showcase some of the most inventive and forward-looking practices of contemporary architecture, including Renzo Piano, Terunobu Fujimori, and Tom Kundig, all embracing such distilled sanctuary spaces.