THE GLASS MENAGERIE

Beginning one morning in December, WE DO NOT PART traces the path of a young woman, Kyungha, as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalised following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.

Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her.

The incredible first memoir from the Booker-winning radical icon Arundhati Roy, author of The God of Small Things

For rising stars Kai Laramie and Juniper Castillo, being cast in the buzzy biopic Andy Warhol Never Gets Old is the opportunity they’ve both been waiting for. Soon the movie is blowing up, and so are their lives – in exciting, but also terrifying, ways.


John Green artfully blends a behind-the-scenes Hollywood love story with an examination of the private cost of a public life, in this masterful tale of two young people figuring out who they are, both together and alone.

I never anticipated Charlie Florek. But Charlie Florek changed my life.

Good things happen at the lake. That's what Alice's Nan always says. And it's true. It's where Alice took that photo, the one that catapulted her career.


But when Nan falls, Alice puts down her camera and heads back to Barry’s Bay. No camera. No deadlines. Quiet… until he shows up.

Charlie Florek. He was nineteen when she accidentally photographed him. Now he’s back - taller, hotter, and somehow even more unforgettable.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren't trusted not to steal the silver . . .

There's Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from College, who wants to know why her beloved maid has disappeared.

Bo is determined to live his own life in his own way. But his son has other ideas...

Bo lives a quiet existence in his small rural village in the north of Sweden. He is elderly and his days are punctuated by visits from his care team and his son.

This is a volcanic journey into the soul of a winged red monster named Geryon. It is queer coming-of-age love story, a Greek myth retold, and a modern classic.


Tormented as a boy by his brother, Geryon escapes to a parallel world of photography. He falls deeply in love with Herakles, a golden young man, who deserts him at the peak of infatuation. So Geryon retreats ever further into the world created by his camera, fascinated by his wings, his redness and the fantastic accident of who he is. But all is suddenly and irrevocably shattered by Herakles’ return.

A song without any answer in it?
That's the sound of waiting.
Livia Bohusz misses her brother, Cyrus.
Unmoored by his death, and the stifling silence of the family farm, eleven-year-old Livia has no choice but to survive.
Her only solace: music, an escape in the quiet rapture piano practice brings.
The promise of a new life her talent offers, intoxicating.
So when Livia starts her college music scholarship it feels as if a new life might begin. Immersing herself in her passions in a world where she excels, even as she struggles to fit in with more urbane classmates, she glimpses the possibilities of a life beyond the farm and her parents.

Min Jin Lee, the acclaimed author of Pachinko, returns with a breathtaking contemporary epic that follows one family as they reckon with personal dreams and familial duty.

John and Helen Koh and their three children – Bo, DH and Mido – are building new lives in Korea when they find their worlds upended, first by a terrible betrayal and then by the 1997 Asian financial crisis. Striving to regain their footing, the Kohs set out to do whatever it takes to provide for their children’s futures.
They leave Seoul for Sydney and eventually settle in California, where new opportunities open for the Koh children, as the parents, strangers in a strange land, adjust to a difficult existence in which their qualifications mean little. Their way forward is lit by the faith that education will lead the next generation to the success and security that have eluded their parents.

At New England boys boarding school Welton Academy, tradition is celebrated and high achievement is expected. When former Welton student and new English teacher John Keating encourages students to "make their lives extraordinary" with his unorthodox teaching methods, he shakes up the stuffy preperatory school's high-pressure environment and guides his pupils on a journey of self-discovery.


Inspired by Keating, high school junior Todd Anderson and friends resurrect the Dead Poets Society—a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild. But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

Sweet and gentle, calm and collected, nervous and inexperienced, Tobias Mitchell was death cloaked in the form of a handsome man. But, instead of running the other way, she fell for him.


Aria Miller is a scientist researching rare genetic diseases when her world is tilted off its axis, and she collides with Tobias. When she takes him on as her assistant, he becomes infatuated with her in ways he can't comprehend.


When reality hits and Aria is forced to leave the country, Tobias is faced with the thought of losing the object of his desire. His mask slips, showing her his true self for the first time.

Aria is his, and he'll do anything to make sure she stays that way.

It all began with just one line. . .
The first letter arrived the day my husband was buried. It was postmarked from the state penitentiary and contained a single sentence:
I’ll wait forever if I have to.

It was signed by Dante, a man I didn’t know.

Out of simple curiosity, I wrote back to ask him what exactly he was waiting for. His reply?