FILM

Through the gripping stories, insightful dramas, and thrilling, mindless escapism 100 Movies of the 2000s gathers the best of the best around the globe - from the blockbuster Harry Potter and The Lord of the Rings installments to cult classics Lost in Translation, Inglourious Basterds, No Country for Old Men, The Lives of Others, and And Your Mother Too.

100 Movies of the 1990s reviews cinema's most important events from 1991 to 2000 and brings to life a rich variety of movie highlights.
The storyline and aesthetic characteristics of each film are presented in an incisive and informative way. Filmmakers like Steven Soderbergh, David Lynch, Quentin Tarantino, and Ang Lee created worlds that were as cryptic as they were disorientating, while James Cameron and Steven Spielberg conjured up ever more spectacular special effects.

From Aliens to Amadeus, get your fill of 1980s nostalgia with this movie bible of all things bold, bizarre, and boisterous. Adventurous, excessive, and experimental, ’80s cinema saw moviegoers get their kicks from pictures as wide-ranging as Blade Runner, Gandhi, and Blue Velvet.
Science fiction, horror, and action emerged as the defining genres of the decade, with non-human characters like E.T. winning the hearts of millions, and movies such as Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere.
Inside this ’80s encyclopedia each movie masterpiece is profiled with stills, a synopsis, and cast, crew, and technical listings.

As war raged on in Vietnam and the Cold War continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather.
Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: theblockbuster.

Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the U.S., more freely in Europe) most notably in Bertolucci’s steamy, scandalous Last Tango in Paris. Amid all this came a wave of nostalgic films (The Sting, The Last Picture Show) and Vietnam pictures (Apocalypse Now, The Deer Hunter),

This handbook gathers the best films of the era, exploring the making and the mastery of such cinematic star turns as The Leopard, The Birds, Belle de Jour, A Fistful of Dollars, and Doctor Zhivago.
By the mid-’60s the United States also began to exercise greater creative liberties, especially in films from young underground directors such as Russ Meyer, John Frankenheimer, and Sam Peckinpah. Meanwhile, Mary Poppins and The Sound of Music ushered out the grandiose Hollywood musical era with a bang while the Spaghetti Western became an instant phenomenon, and Kubrick set new standards for sci-fi with 2001: A Space Odyssey.

Though the term “feminism” may not have been ready for prime time, the decade was also one of major advances in female characterization. From Jane Fonda’s Barbarella to Holly Golightly of Breakfast at Tiffany’s to Bonnie Parker of Bonnie and Clyde, it was the 1960s that saw women on-screen graduate from decorative accessories to complex, kick-ass personas.

From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man.
Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy — Episode I The Phantom Menace, Episode II Attack of the Clones, and Episode III Revenge of the Sith — and features exclusive interviews with Lucas and his collaborators.
The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. This chilling volume packs 640 pages full with the finest slashers, ghosts, zombies, cannibals, and more, curating the very creepiest screen creations from the flickering spooks of the 1920s to the special-effect terrors of the 21st century.

Across 10 illustrated chapters, the compendium gets under the skin of some of horror's favorite figures and themes, whether the sci-fi dystopia, the haunted house, the female killer, or the werewolf. Each classic device is explored in aesthetic and historical terms, probing horror's manipulation of archetypal human fears as much as socially and culturally specific anxieties.

A subsequent Top 50 movies section brings readers up close and trembling with 50 horror showpieces, from black-and-white classics like Dr Jekyll and Mr Hyde and Godzilla to Rosemary's Baby, The Wickerman, The Shining, The Blair Witch Project, and much, much more. Throughout, the book's featured images, among them many unique visuals from the David Del Valle archive, include movie posters, set designs, film stills, and on-set shots.

The Kubrick filesFrom the archives of cinematic geniusIn 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: It s not a message I ever intended to convey in words. 2001 is a nonverbal experience...I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content. Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director s philosophy. From the opening sequence of Killer s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick s complete films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!